Good eye.
The boat house has an almost humorous quality to it with the unlikely drooping and twisting of its lines.
How do those doors even continue to operate?
Rich
Good eye.
The boat house has an almost humorous quality to it with the unlikely drooping and twisting of its lines.
How do those doors even continue to operate?
Rich
@davidwien has written: @MikePDX has written:What I see vs. what I feel.
I've just returned from a photo workshop in the Pantanal region of Brazil. We were especially targeting Jaguars, and had wonderful success. The two images below are different takes on the same shot. As I started to process it I realized that the "photojournalistic" version (the first picture), while effective, didn't seem to capture how I felt when looking at the scene. This got me thinking about the recent conversation here about emotion in a photograph. So I tried a different version that seemed to better represent the drama I was feeling as the Jaguar lay in wait for it's prey.
I'm interested to hear which of these resonates with you, and of course why. Or possibly what you might suggest to further enhance the mood.
For what it's worth, I personally prefer the second one because the grass is darker and therefore doesnt compete for attention with the jaguar.
David
Exactly my thought.
With the grass a bit darker, we have something like a spotlight on the cat. And it deserves that spotlight.
After I posted this earlier today, I continued to work on this shot. Here's a version that goes even further - maybe too far??
@RoelHendrickx has written: @davidwien has written: @MikePDX has written:What I see vs. what I feel.
I've just returned from a photo workshop in the Pantanal region of Brazil. We were especially targeting Jaguars, and had wonderful success. The two images below are different takes on the same shot. As I started to process it I realized that the "photojournalistic" version (the first picture), while effective, didn't seem to capture how I felt when looking at the scene. This got me thinking about the recent conversation here about emotion in a photograph. So I tried a different version that seemed to better represent the drama I was feeling as the Jaguar lay in wait for it's prey.
I'm interested to hear which of these resonates with you, and of course why. Or possibly what you might suggest to further enhance the mood.
For what it's worth, I personally prefer the second one because the grass is darker and therefore doesnt compete for attention with the jaguar.
David
Exactly my thought.
With the grass a bit darker, we have something like a spotlight on the cat. And it deserves that spotlight.After I posted this earlier today, I continued to work on this shot. Here's a version that goes even further - maybe too far??
I didn't want to comment before about the whites (the white fur on the jaguar's face) being blown out in the previous images. (Such discussions get terribly out of control on these forums). Here, it looks like you lowered the "exposure"/lightness of the image, recovering those highlights. But now the midtones need to be lifted somewhat as the overall image looks too dark/flat as is.
I think you need to decide what you want the image to look like and just say so. And that's that. Image correction by committee is the Internet at its worst.
Rich
After I posted this earlier today, I continued to work on this shot. Here's a version that goes even further - maybe too far??
I like this one the best. It looks very nice on my screen.
I like the way the jaguar now stands out against the background.
@DanHasLeftForum has written:Lake Taihu, Turtle Head Peninsula, Wuxi, China
Very beautiful and peaceful place. It exudes very calm atmosphere.
That's a lovely image.
Alan
Pleasant image. A little suggestion to clone out a branch in the middle on the bottom.
Thank you everyone.
Regarding cloning out the branch, it's really a toss of the coin. I cloned it out originally and it didn't have much effect on the overall scene; so I left it in.
Here's a version that goes even further - maybe too far??
I like this version most :)
Question - what were actual lighting conditions? I'm used to think that cats hunt in duskiness.
@RoelHendrickx has written: @davidwien has written: @MikePDX has written:What I see vs. what I feel.
I've just returned from a photo workshop in the Pantanal region of Brazil. We were especially targeting Jaguars, and had wonderful success. The two images below are different takes on the same shot. As I started to process it I realized that the "photojournalistic" version (the first picture), while effective, didn't seem to capture how I felt when looking at the scene. This got me thinking about the recent conversation here about emotion in a photograph. So I tried a different version that seemed to better represent the drama I was feeling as the Jaguar lay in wait for it's prey.
I'm interested to hear which of these resonates with you, and of course why. Or possibly what you might suggest to further enhance the mood.
For what it's worth, I personally prefer the second one because the grass is darker and therefore doesnt compete for attention with the jaguar.
David
Exactly my thought.
With the grass a bit darker, we have something like a spotlight on the cat. And it deserves that spotlight.After I posted this earlier today, I continued to work on this shot. Here's a version that goes even further - maybe too far??
For me the middle version hits the sweet spot.
In that, we can see the foliage and it looks like a daytime scene (or around dusk) with a subtle, hardly conscious virtual spotlight on the cat.
In the further iteration, there is a bit more detail on the cat itself (which is a bonus), but the atmosphere of the scene has changed drastically.
It is now not a daytime or dusk scene anymore, but it feels like a night scene, and then, of course, the "spotlight" feels like actual illumination with a physical torch.
The effect is that we are aware of a human presence looking at the cat and illuminating it. It feels more like a view from a safari and less like a nature documentary.
(I hope this expresses adequately how I feel about the impact of the changes.)
I continued to work on this shot. Here's a version that goes even further - maybe too far??
Yes -- too far: the second version is for me the best.
Put him in this weeks competition! 😀
David
I have a title - can be seen in the
FloraFauna thread. What would yours be?Glasswings
The beauty of true love. They look like they are doing ballroom dancing. Delicate threadlike "hands" gently touching. Wonderful capture with rich texture, soft pastels, nicely blurred background, but the best part is the dance.
LAZIO, ITALY
An image from almost nine years ago, on New Year's Eve 2015 in Lazio, Italy.
Sunset on the shore of one of the lakes in that area (I don't even remember which one exactly).
We were in Lazio to spend the last days of 2015 and the first of 2016 in our favorite country.
For the evening and midnight, we had booked a table (well, not really a private table, but two places at a long communal table) in a cute winebar in Viterbo, where we were staying. The winebar organized a wintery barbeque with outdoor seating, good simple food and great wines
It was a place we had found in "Osterie d'Italia" the guide of "Slow Food Editore", the Italian version of a culinary guide, but with emphasis on local produce and reasonable prices (if a restaurant becomes too expensive, it gets kicked out of the guide).
I remember we had a wonderful evening there, meeting new people (a former Italian soccer goalkeeper turned soccer manager and team coach, and his younger wife became our best friends for one evening).
But before we headed back into Viterbo for that feast, we spent the sunset hour of our car drive with a glass of prosecco in a plastic cup, on the shore of one of the lakes.
A perfect prelude to a memorable new year's eve.
Hard to imagine a more dramatic swan photo. The sky, the beautiful pink/purple sunset, the distant cameo appearance by the setting sun, the slanted beach, the faraway mountains, and the flock of the most beautiful and graceful birds we know.
Excellent.
Dotonbori Nights.
I may have posted this before but I can't see where. If I have, tell me and I'll post something else.
Colorful and full of energy, this is a great travel shot. The reds dominate and multiply the energy.
Lake Taihu, Turtle Head Peninsula, Wuxi, China
A nicely composed shot an interesting scene. Somehow the colors of the left half (yellow and orange tones) seem to clash with the colors of the right half (blue and green tones), reminding me of odd prints from old film cameras where something went awry in the developing. With some color adjustment, this could be a very nice image.
Stegmoosalm, before the deep snow comes
Last weekend the sky was blue, the sun was shining bright, but we didn't have to go particularly high to reach the first snow.
It's only a thin layer at the moment, but that will soon change. A lot more Snow is planned, starting in the next 2-3 days :-)
So here's some impressions from that last "walk without snow shoes", up to the Stegmoosalm hut. It's one of our old favourites, easy and quick to get up here.Please don't edit these images
A pano shot from a shadowy place near the beginning, looking out onto the sunny Hochkönig mountain range in the distance.
The sky does have some artefacts visible in the pano where it didn't blend properly, maybe I'll fix that later.A few bright white birch trees and some patches of snow
The view into the mountains from a bit higher up, but still not much snow.
and the same rock, a bit closer with a wave ;-)
On the other side of that rock, and more over to the left, the sun is making high contrast shadows of those fence posts on the snow.
I like the way the snow is glistening in the foreground and also those very bright refections from the icy patches around the bases of some of the posts.And finaly a place in the sun, with the metal seat reflecting the sunlight and looking very bright, emphasized especially in comparison to the darker background
Nice set. Love the S-shaped series of posts in the snow and the dramatic white trees. Your mountains are incredible.
Boathouse
Jackson's Point, Ontario, Canada
Oh how I love old boathouses and fish houses, especially when you can catch a bit of reflection to complete the composition. The matching sets of windows and doors give an almost face-like impression. Very engaging.
I had been photographing at the shoreline. I was leaning against a wall about chest high that separates the beach from Pacific Highway. These three jumped on the wall and came walking toward me. They were inches away when warrior kid raised his weapon and they passed by, giggling. Everything's a game at that age.
I thought nothing of the image until I saw it in post. I like the triangular shape the group and the gesture creates.
BTW, ignore their warm gear and the grey tones of the sky. There is no cold, grey, foggy, wet weather in Southern California!
Ever!
Rich
Love the joy in the faces and the gesture of the lead character. Nice color palette with an analogous color scheme.
I do wish the lead character's feet weren't cut off. Or perhaps if it were cropped a bit further up, they'd be similar? I'm funny like that...
On this day 10 years ago, I had to abruptly pull over on a freeway to snap this look of disapproval at my poor driving skills. Near Radium, BC.
Canon/Canon EOS REBEL T3/EF-S18-55mm f/3.5-5.6 IS | 1/100s | 𝑓/5.6 | ISO100 | 55/1mm
I love finding these guys on the roadsides in BC and Alberta when I visit up there. I always feel like I'm intruding in their world rather than vice versa. That is a baleful look he's casting your way. Love the speck of scenery in the background - mountains and trees, would like to see more. It is a beautiful place. Nice portrait!
@RoelHendrickx has written: @davidwien has written: @MikePDX has written:What I see vs. what I feel.
I've just returned from a photo workshop in the Pantanal region of Brazil. We were especially targeting Jaguars, and had wonderful success. The two images below are different takes on the same shot. As I started to process it I realized that the "photojournalistic" version (the first picture), while effective, didn't seem to capture how I felt when looking at the scene. This got me thinking about the recent conversation here about emotion in a photograph. So I tried a different version that seemed to better represent the drama I was feeling as the Jaguar lay in wait for it's prey.
I'm interested to hear which of these resonates with you, and of course why. Or possibly what you might suggest to further enhance the mood.
For what it's worth, I personally prefer the second one because the grass is darker and therefore doesnt compete for attention with the jaguar.
David
Exactly my thought.
With the grass a bit darker, we have something like a spotlight on the cat. And it deserves that spotlight.After I posted this earlier today, I continued to work on this shot. Here's a version that goes even further - maybe too far??
I like the darker version, though you might want to "protect" that dark spot just left of his nose by blending with the prior version and masking just that area, to keep the spot from getting so dark it becomes an eye magnet. But the cat himself is more beautiful and dramatic in the darkest version. His colors are richer, his expression more ominous, and the reflection holds more detail.
Just an excellent image. All of us are jealous I suspect. What a moment!
@DanHasLeftForum has written:Lake Taihu, Turtle Head Peninsula, Wuxi, China
A nicely composed shot an interesting scene. Somehow the colors of the left half (yellow and orange tones) seem to clash with the colors of the right half (blue and green tones), reminding me of odd prints from old film cameras where something went awry in the developing. With some color adjustment, this could be a very nice image.
I think it's great as it is. The green and brown stand out and then you move dreamily into the blue.
Alan