* Wednesday C&C "No Theme" Thread #806 / Revived #026 on 2023 09 27 *

The vertical orientation shot is interesting to me, because it combines the grasses in the foreground with the tree as main focal point in an efficient way.

The horizontal extreme panorama has a good number of wonderful characteristics : the diversity of colours is interesting; the light creating rays through dramatic clouds is an eternal winner, etc.
But I feel like the foreground lets it down just a bit. The nearest foreground is just a bit plain and boring.
If this was not that wide a shot, foreground interesting could easily be added by placing yourself near any kind of feature in the landscape (a rock, a small bush, etc). But of course, because the shot is wider, that technique is not so obviously available. We are left with a rather monotonous stretch of dry weeds.
Cropping away a bit of that is not an elegant solution because it would make the horizontal slenderness of the frame even more slender.
I don't see an easy solution.

That seems like it is light-painted, but I am wondering about the reflection on the surface of the guitar neck.
I don't think I remember ever seeing a "paint with light" image where the reflection of the painted light was so prominent (and wonderful).

It's a challenging place to shoot, because of the big range difference between the bright light behind the windows and the extremely dark lower part of the interior (floor and furniture), with the walls and ceiling somewhere inbetween.
I feel like you have tried to reach a balance, in order to not blow out the highlights completely, but it really leaves the darkest parts too dark to be pleasant, and the middle tones are also a bit underexposed for my liking.
Since the windows will be too bright no matter which way you approach it, I would go all in on getting better exposure for the walls and that floor.
This is where the tools that allow you to brighten up selected parts of the images (not by masking, but by just concentrating on the dark tones) could probably work wonders.

I actually liked this the way you did this ... However after reading several critiques that thought it a bit dark I thought I'd give it a try .. a bit different than David's

Using Affinity Photo, Tone Map and some soft light ....

WhyNot

Put 'em up

Jumper on gal

Remarkable balance caught at the perfect second. Her red spangled costume calls extra attention to her and is re-emphasized by the small triangle of red in the clothing of the observer. The lines of the curtain provide framing. I wish her balancing hand weren't obscured by the head of the onlookers, visibility there would make for a better image. I think I would crop down just a nudge to limit the effect of the overhead power lines some, leaving enough foliage to make it clear this was an outdoor event. Another interesting public event transferred into an engaging photo.

Returning to old haunts can open an entire world of photographic opportunities, and I hope you'll keep sharing them here. I have had a similar experience in regaining my grandparents' farm and home, participating in its ongoing rescue, and discovering new and old treasures.

The first image has an absolutely glorious sky and a great angle of view. The landscape itself is less appealing than the sky, as it appears to be wearing its end of summer clothes, where lots of the greenery has dried up as it has where I live. It may yield more interesting foliage at different times of the year, but for now I might crop some of it even further, or shift the crop upwards if more sky is available in the shot.

The second shot is a gem. I can't imagine the pleasure of childhood schooling near such a spot, it would be like living inside a wonderful book or movie. There is a powerful leading line that runs from the right corner to tree and right up the twisting trunk and limbs of the tree. The grasses, which have a sensation of movement, help fan us rightward to that line and push us to follow it up the ridge. We see enough of the distant view to know it's wonderful, and it draws us toward that edge. The colors are of a slightly muted palette but still rich and visually rewarding. An exceptionally nice image.

I hope you'll tell us what that is - a guitar, yes, but how did you accomplish the lightning strike ricocheting off the strings? It seems to be vibrating in response to something, perhaps a played chord? I dunno, but it's fascinating, as your creations often are.

This is quite a pretty landscape image. The haze and the crop and the resultant softening have rendered it into something more artistic than you might have intended when you spotted the scene, in which case you have a happy happenstance. It looks like an Australian version of a Hudson River School painting. The light is quite wonderful, and the contrast between the clearing and the trees, and between the foreground and the background are painterly in nature. At first glance I wondered if the fencing detracted, but I concluded it is adding to rather than taking from the composition, a small reminder of human occupation without intrusion. I think it might make a nice canvas print if you didn't go too large with it.

That looks like a flounder and I cannot remember ever seeing a gull wrangle one of those before. Perhaps he found the flounder floundering on the shore and took advantage?? He's working pretty hard at the task. You caught the action quite well, with him dragging the unlucky fish through the surf and using foot and beak to dismantle it for consumption. The photos are angled well and sharply caught. When I watch birds work their prey I appreciate their ancestry and see the dinosaur inside. We underestimate their strength and tenacity as hunters because of their size, but when you compare their size to that of their prey, they are darned impressive.

I had to smile when I saw this because my first choice for posting this week was more than a little similar. Sometimes we seem to run into shared thinking across the thread. I'll hold mine for next week.

What people leave on dock tells a story of who they are and of the dock. It's a signature set up that proclaims how the owner spent his time there. Simple, unfiltered, presented in monochrome for further simplification. A photographic short story.

A gorgeous room photographed from a perfect angle to show off all its architectural features. It did benefit from the editing David and Whynot offered, both of which bring out the beautiful details in the woodwork, and balance with the brightness outside. It is probably a shot that might have done well with an HDR capture. Our Oly's do a pretty good job with the in-camera HDR, which I often try when faced with this situation (my old house is from a similar era and has the challenge of dark wood inside and great big windows that let in tons of light.

I often feel a kinship with the scenes you shoot, as they scream "Southern USA" to this fellow southerner. A very regional restaurant/bar scene with folks gathered at the counter with football games on the overhead screens (looks like the Saints are on the closest TV, and Saints fans are a special breed). I like the severity of the contrasts between the lights and darks, which give the photo a look reminiscent of old film cameras (like those used for high school football games). The expression of the fellow on the right is priceless. My first thought was that he is the bouncer and he's casing you out to see if he needs to throttle you and rip out the camera card.

"Frozen" Meets "Strawberry Shortcake". The cotton candy "snow" as turned this garden into a fairytale world. The pink snow is shoveled from the walkway. Not sure what our princess is lugging around, it looks like a palm tree, but she is untouched by the pink frosting. It's a quirky image but it works. The pink snow looks great.

You have a great eye for geometry! Not many of us would have spotted this opportunity. Angles of all varieties, filled with graphic design elements of multiple textures and tones, isolated thoroughly enough from the context to force us to view them for their own qualities rather than as a part of a recognizable whole. Monochrome does its job of simplifying the colors into the tones to help us digest the image as an abstract. Well spotted and well organized.

The first thing we note is how well - guarded this lady is - man and dog are both large, fit, intimidating in their presence, and made somewhat more intimidating by the lack of visibility of their eyes. They scour the scene for threats and we don't know where they are looking. Meanwhile, she walks on, confidently.

Well spotted and captured. The composition works, with the trio emerging between two posts and following a clear paving line. Use of color is nice, and the light is lovely.