I think there's some reason to suppose that they aren't. For instance, both Nikon and Canon switched from SOS to REI and there wasn't a surge of comments from experienced users that the metering had changed. DPReview tests meter calibration according to SOS, and they didn't report that REI cameras were out of calibration. One wonders why a camera company would calibrate their meter differently.
Multi-zone metering
This mode is also called matrix, evaluative, honeycomb, segment metering, or esp (electro selective pattern) metering on some cameras. This metering mode was first introduced by the Nikon FA and was termed Automatic Multi-Pattern metering.
Essentially by the same factor. The difference between 78 and 10 is that Saturation used 100% lightness and SOS 18% as the reference point. The resultant ISO should be the same for a pure sRGB gamma curve. But whatever, so long as the ISO method is the same, the ISO is inversely proportional to exposure.
Interesting, because unless you adjust your technique and processing with some quite deep knowledge of how your individual camera works, differences in DR won't make a whole load of difference to your results. There's a good reason why years of deficiency in DR didn't hurt Canon's sales too much.
Does the frame size affect your exposure decisions, and if not, why not?
I went from Nikon D50 -> D7000 -> Z 6, and there was marked difference in how much shadow noise I had to (not) deal with. Longtime Nikon user, didn't feel like putting Canon in the equation, whatever their DR...
Indirectly I consider frame size. Mostly now, the AF-P 70-300mm lives on the D7000 for tele shots, the Z 6 carries the 24-70mm, don't like to change lenses while steam locomotive shooting. But, If I go to shoot low-light performances, I'll move that lens to the Z 6, don't take the D7000 to those. Choosing the Z 6 over the D7000 is always a DR consideration, which the sensor size does affect. But, I wouldn't be specifically considering frame size until I started shooting landscapes or group photos for printing, where I'd want a starting resolution that looked good in large-format rendtions...
I don't think that has a lot to do with DR per se, it has to do with lower read noise, and depending on how you respond to the second question, to do with getting more light energy into the image.
What I was asking was how you make your exposure decisions when using the different cameras. I'm still not sure what you are thinking of as 'DR'. The D7000 has just shy of 14 stops of DR, the Z7 just over. I very much doubt that unless you have a really coherent and meticulous methodology for setting exposure and processing your photos you're using anything close to that - so DR really shouldn't be an issue between those two cameras. D50 is a somewhat different proposition.
I'm not sure I quite understand what you were doing there, Jim. If I understand correctly, the figures you're getting are the raw numbers? How can you relate those directly to 'sensitivity', and what are you calling 'sensitivity'?
I'd add on your caveat - "I don’t know which camera has the most accurate ISO setting. In fact, as far as I’m concerned, what with all the ways a manufacturer can rate the ISO sensitivities of sensors, I’m not sure that question has much meaning." - of course a camera manufacturer does not rate the ISO 'sensitivity' of its sensors - there is no 'ISO' of a sensor. ISO only applies to processed output, and the effect of ISO setting on the raw file is not mandated.
Interestingly, the QE appears to be in reverse order compared with this 'sensitivity'.
In this case, sensitivity -- and it's not quite the right word, as you pointed out earlier -- is proportional to the raw count as a percent of full scale over the exposure. It's useful for comparing how several cameras ISO settings affect raw files -- and, for the most part, the ISO settings do affect the raw files, even though ISO is not defined in terms of raw files. But if you're a raw shooter, and you've got a GFX 100S and an X2D, as I have, it's nice to know how the two cameras respond to the same amount of light at various ISO settings.
That's an interesting point. I've read unsubstantiated claims that a smaller sensor makes it easier to do sensor-based stabilization (less mass to move around) and faster readouts/global shutter sensor designs. I'd be curious to know if these claims actually bear fruit.
elsewhere, I've seen sensitivity expressed as "The conversion efficiency is 7.14μV/electron" in a joint paper between Alternative Vision Corp and Foveon.
Unfortunately that leaves out photon flux, QE and wavelength ... oh well ...
Suppose, I need 12.5mm aperture diameter to get the DoF I need and 2 secs exposure time to get the waves blurred the way I want. With a 100mm lens on an FF camera I'm stopping down to f/8, with an m4/3 I'm stopping down to f/4 using a 50mm lens. Photographic exposure is 2 stops hotter with m4/3, so maybe in some dual-gain scenarios m4/3 is at some advantage.
I think there's likely not a lot in the former, a smaller sensor likely makes IBIS a bit more energy efficient, rather than easier. The 'faster readout' thing assumes that wire delay is a bottleneck in readout speed, which it isn't. The reverse is likely true for global shutter. Global shutter requires more circuitry in the pixels, which is easier in a bigger pixel.
Since a lot of it is about the angle, in linear measure the smaller is the pixel the more positioning precision may be needed. The idea that lighter cameras need less sturdy tripods doesn't always play well in practice.