Do you re-read your own posts? Definitely some honorable mentions.
Do you re-read your own posts? Definitely some honorable mentions.
I'm sorry you're incapable of shooting static subjects as well. I'm sure a photo class might help with that.
Have a good weekend :)
@primeshooter has written: @BurnImage has written: @primeshooter has written:They need to make a menu setting. Focus at widest aperture on / off. A firmware fix I would hope.
Yep, it’s really as simple as that. The question is do Nikon understand photographers and their needs enough to implement it?
Wonders never cease. They were deleting stars in astro images for years. It took Thom Hogan I believe visiting nikon and mentioning it to get it fixed. (Paraphrasing). Sony bodies still do it! So they can spare me with their marketing speak were they claim they listen to their customers. Yet to see the real evidence of this. Many of the big players are guilty of this to be fair.
Oh I don’t doubt that. But I don’t shoot Astro. Nor do I shoot BIF.
What I do shoot is people, film sets, events, studio, street and travel. Having switched from Nikon Z to Sony for these genres, Nikon isn’t at the party at this time. That’s both for bodies and lenses.
I also don’t think the Z8 will change this. Especially if kit size and weight to carry 8 hours a day is part of the decision for a jobbing photographer.
Look at the weight and bulk of the 24-70mm and 70-200mm Nikkor Z vs Sony GM2 versions. There’s a 500g saving straight off the bat for Sony for equivalent IQ and faster quad linear AF motors. No Z mount advantage there. NONE!
That said, Sony isn’t perfect, nor is Canon or Nikon. They all frustrate with their implementations at times. What is clear to me is that Nikon is pursuing niche BIF and the like with their sublime long exotics.
It is interesting, i have heard some are saying nikon cheaped out on the motors in some lenses?
@bobn2 has written: @Sagittarius has written:Also would you be so kind to explain why f/9 is a standard for studio shooting?
I've been given this advice (f/8 actually) from some studio photographers. It's a bit strange, because if it's to do with DOF it should be different for DX and FX cameras. Also, one takes quite a few different shots in a studio, I'd think that you'd use different DOFs for different shots. Don't understand that myself.
I tend to be a 1.4 whore, but in a studio setting with a solid back drop, f8 is usually my starting point. Under controlled lighting conditions with strobes, you can achieve a.... how do I describe this... let's just say, an ultra clean, super detailed look, and it requires those smaller apertures.
Now not all shots will end up at f8. That's just a typical starting point. Like any other situation, it depends. The rate of transition from the sharpest plane of focus to the varying degrees of lesser sharp focus is part of the art. Obviously, sensor size, focal length, distance to subject, as well as aperture all play a role. And maybe not so obvious to some, the in focus to out of focus transition characteristics of the lens matters too. And then also, where you actually place the point of focus in combination with some front or back focus adjustment dialed in just for the particular situation.
But yeah... f8/f9.
Agreed, assuming a full frame camera in a typical sized studio shooting headshots through to full length single subjects then f8 to f11 has been the studio photographers go to since forever. This ensures front to back DOF from tip of the nose to back of the ears and so on. But of course it’s a starting point and we may open the aperture for deliberate shallower DOF or other reasons. BUT, the starting point of f8 to f11 is PRECISELY why it can introduce challenges for AF for ANY camera that doesn’t perform focus wide open.
Equally, if shooting crop your equivalent aperture changes. So if shooting m43 substitute f8 for f4 and so on.
@Ghostfox1 has written: @BurnImage has written:Payroll and mention shortcomings haha! Joking aside, if the Nikon Z7 was so good nobody would have bought a Z9. It really is that simple 😉
This is one of the dumbest things I've seen all week, and I've been in a lot of meetings where people rambled about things they didn't understand.
The z7/6/ii can be a good camera (and they are), and the z9 can be better.
Or do you think every Sony but the top tier is bad? Or everything but the Canon r3 is bad?
It's like you tried to make a point, and failed miserably on every level, destroying your own argument and making yourself look dumb. That takes some level of skill.
Why is it dumb? I like Nikon Z, I owned the system for ages. What I do know (now) is that with an A9 II, which is basically A9 tech from 2017, you get a camera that is still equal for AF to a Z9 and they are half the price used (or you can get 3 x A9 mk 1 bodies from 2017 for the price of a single Z9). The bodies are also half the weight of a Z9. I can also save a further 500g on the 24-70mm 70-200mm 2.8 workhorse zooms.
Frankly the Z6 and Z7 bodies can’t be mentioned in the same breath as the A9 series at the same size and weight.
So I’m not going to lower myself and resort to mindless unsubstantiated insults such as:
It's like you tried to make a point, and failed miserably on every level, destroying your own argument and making yourself look dumb. That takes some level of skill.
I’d rather stick to the facts, as already stated. The great thing about facts is they tend to trump emotional outbursts such as yours, which you made with zero facts to back it up.
Right on with the Sony af system. It's just far in advanced period. And a9 tech from 2017 easily trounces the z7 and z6 cameras (both versions).
@BurnImage has written: @Ghostfox1 has written: @BurnImage has written:Payroll and mention shortcomings haha! Joking aside, if the Nikon Z7 was so good nobody would have bought a Z9. It really is that simple 😉
This is one of the dumbest things I've seen all week, and I've been in a lot of meetings where people rambled about things they didn't understand.
The z7/6/ii can be a good camera (and they are), and the z9 can be better.
Or do you think every Sony but the top tier is bad? Or everything but the Canon r3 is bad?
It's like you tried to make a point, and failed miserably on every level, destroying your own argument and making yourself look dumb. That takes some level of skill.
Why is it dumb? I like Nikon Z, I owned the system for ages. What I do know (now) is that with an A9 II, which is basically A9 tech from 2017, you get a camera that is still equal for AF to a Z9 and they are half the price used (or you can get 3 x A9 mk 1 bodies from 2017 for the price of a single Z9). The bodies are also half the weight of a Z9. I can also save a further 500g on the 24-70mm 70-200mm 2.8 workhorse zooms.
Frankly the Z6 and Z7 bodies can’t be mentioned in the same breath as the A9 series at the same size and weight.
So I’m not going to lower myself and resort to mindless unsubstantiated insults such as:
It's like you tried to make a point, and failed miserably on every level, destroying your own argument and making yourself look dumb. That takes some level of skill.
I’d rather stick to the facts, as already stated. The great thing about facts is they tend to trump emotional outbursts such as yours, which you made with zero facts to back it up.
Why is it dumb?
Because things can be good, and other things can be better? I can explain this to you, but I can't understand it for you.
Re: Emotional outbursts, that wasn't emotional. That was me calling you out for making a worthless point and wasting oxygen, which you should apologize to the nearest tree for. I haven't even gotten riled up yet, this is just another day for me of dealing with rampant ignorance.
The facts are the z series are pretty good, unless you don't read the manual, or do any actual work yourself. The z9 is one of the best three bodies out there all things considered.
The next fact is if you can't hit a static subject with a modern (in the last decade, say) camera 9 out of 10 times in anything approaching halfway decent lighting, that problem is behind the camera, not in it. It's not hard, but apparently some people struggle with it (and miss focus so badly even at f9 that nothing is in focus). That's not a camera problem. That's massive user error.
The third fact is plenty of people have shown this is possible, you can feel free to search on your preferred search engine/website and see plenty of photos taken with the z series that show nicely done images of all sorts.
The last fact is you can enjoy your nikon bashing circlejerk, and I'll still call you on it, because it's a load of crap.
The z9 might just be one of the great bodies but his point stands as he said it. A9 tech from 2017 still beats the z7 ala the rest of nikons small bodies by a long way. It's advanced flagship af trickled down.
if the Nikon Z7 was so good nobody would have bought a Z9. It really is that simple 😉
+1
This little sliver of truth hurts so many feelings.
What I do know (now) is that with an A9 II, which is basically A9 tech from 2017, you get a camera that is still equal for AF to a Z9 and they are half the price used
More truth that sets emotions on fire.
@BurnImage has written: @primeshooter has written: @BurnImage has written: @primeshooter has written:They need to make a menu setting. Focus at widest aperture on / off. A firmware fix I would hope.
Yep, it’s really as simple as that. The question is do Nikon understand photographers and their needs enough to implement it?
Wonders never cease. They were deleting stars in astro images for years. It took Thom Hogan I believe visiting nikon and mentioning it to get it fixed. (Paraphrasing). Sony bodies still do it! So they can spare me with their marketing speak were they claim they listen to their customers. Yet to see the real evidence of this. Many of the big players are guilty of this to be fair.
Oh I don’t doubt that. But I don’t shoot Astro. Nor do I shoot BIF.
What I do shoot is people, film sets, events, studio, street and travel. Having switched from Nikon Z to Sony for these genres, Nikon isn’t at the party at this time. That’s both for bodies and lenses.
I also don’t think the Z8 will change this. Especially if kit size and weight to carry 8 hours a day is part of the decision for a jobbing photographer.
Look at the weight and bulk of the 24-70mm and 70-200mm Nikkor Z vs Sony GM2 versions. There’s a 500g saving straight off the bat for Sony for equivalent IQ and faster quad linear AF motors. No Z mount advantage there. NONE!
That said, Sony isn’t perfect, nor is Canon or Nikon. They all frustrate with their implementations at times. What is clear to me is that Nikon is pursuing niche BIF and the like with their sublime long exotics.
It is interesting, i have heard some are saying nikon cheaped out on the motors in some lenses?
All I know is that my Sony zoom lenses have quad (yes 4) linear motors and are best in class for AF acquisition. I don’t know how much that affects AF in the real world, but blimey those lenses latch on instantly and track tenaciously. Sony folk and reviews all comment that the GM2 lenses latch on and track faster than earlier generations (on the same bodies). So in that regard yes lens motor tech is a major factor, not just body tech. AFAIK Nikon does not use linear motors, never mind 4 of them…..
@BurnImage has written: @primeshooter has written: @BurnImage has written: @primeshooter has written:They need to make a menu setting. Focus at widest aperture on / off. A firmware fix I would hope.
I got in a lot of shit on DPReview for posting a link to a pod cast by Roger Cicala, the founder of Lens Rentals, linking to where he pointed out the cheap AF motors Nikon was using. I got in more shit for pointing out where he kinda dismissed Nikon's ML offerings.
Can't remember if that bought me a temporary ban or not, but apparently those skeletons in the closet were suppose to remain in the closet as far as DPReview were concerned. I think Roger had to walk that stuff back
Yep, it’s really as simple as that. The question is do Nikon understand photographers and their needs enough to implement it?
Wonders never cease. They were deleting stars in astro images for years. It took Thom Hogan I believe visiting nikon and mentioning it to get it fixed. (Paraphrasing). Sony bodies still do it! So they can spare me with their marketing speak were they claim they listen to their customers. Yet to see the real evidence of this. Many of the big players are guilty of this to be fair.
Oh I don’t doubt that. But I don’t shoot Astro. Nor do I shoot BIF.
What I do shoot is people, film sets, events, studio, street and travel. Having switched from Nikon Z to Sony for these genres, Nikon isn’t at the party at this time. That’s both for bodies and lenses.
I also don’t think the Z8 will change this. Especially if kit size and weight to carry 8 hours a day is part of the decision for a jobbing photographer.
Look at the weight and bulk of the 24-70mm and 70-200mm Nikkor Z vs Sony GM2 versions. There’s a 500g saving straight off the bat for Sony for equivalent IQ and faster quad linear AF motors. No Z mount advantage there. NONE!
That said, Sony isn’t perfect, nor is Canon or Nikon. They all frustrate with their implementations at times. What is clear to me is that Nikon is pursuing niche BIF and the like with their sublime long exotics.
It is interesting, i have heard some are saying nikon cheaped out on the motors in some lenses?
I got in a lot of shit on DPReview for linking to a podcast by Roger Cicala, founder of Lens Rentals. He had pointed out the cheap motors Nikon was using. I got in more shit for pointing out where he kinda dismissed Nikon's ML offerings.
Not sure if I got a temporary ban for that or not, but it was information DPReview didn't want put out there.
@BurnImage has written:What I do know (now) is that with an A9 II, which is basically A9 tech from 2017, you get a camera that is still equal for AF to a Z9 and they are half the price used
More truth that sets emotions on fire.
Some folk are understandingly holding out for a Z6III, especially now it emerges that the Z8 is going larger to something akin to a D850 in size and weight, with a £4000 plus price tag.
When the Z6III finally emerges it’s unlikely to have a stacked sensor and at best it’ll catch up with the Sony A7iv.
In the meantime, you can buy a lightly used A9 with a 24mp stacked sensor from a reputable dealer like MPB with a warranty for around £1500.
I don’t like the ergonomics of that body, which is why I went with the A9II. These have ergonomics and build equal to the Z6II and are available used for around £2200.
You’ll never get a Stacked sensor from Nikon at these price points ……
I do miss the higher resolution Z7 for some work. That’s why I’ve just purchased a used A7Riv with 61mp for £1850 with warranty and 4000 clicks. The perfect complement to my pair of A9II’s. Yes it will be slower for AF and burst rate, but more akin to an R5 than a Z7II in performance.
@primeshooter has written: @BurnImage has written: @primeshooter has written: @BurnImage has written: @primeshooter has written:They need to make a menu setting. Focus at widest aperture on / off. A firmware fix I would hope.
Yep, it’s really as simple as that. The question is do Nikon understand photographers and their needs enough to implement it?
Wonders never cease. They were deleting stars in astro images for years. It took Thom Hogan I believe visiting nikon and mentioning it to get it fixed. (Paraphrasing). Sony bodies still do it! So they can spare me with their marketing speak were they claim they listen to their customers. Yet to see the real evidence of this. Many of the big players are guilty of this to be fair.
Oh I don’t doubt that. But I don’t shoot Astro. Nor do I shoot BIF.
What I do shoot is people, film sets, events, studio, street and travel. Having switched from Nikon Z to Sony for these genres, Nikon isn’t at the party at this time. That’s both for bodies and lenses.
I also don’t think the Z8 will change this. Especially if kit size and weight to carry 8 hours a day is part of the decision for a jobbing photographer.
Look at the weight and bulk of the 24-70mm and 70-200mm Nikkor Z vs Sony GM2 versions. There’s a 500g saving straight off the bat for Sony for equivalent IQ and faster quad linear AF motors. No Z mount advantage there. NONE!
That said, Sony isn’t perfect, nor is Canon or Nikon. They all frustrate with their implementations at times. What is clear to me is that Nikon is pursuing niche BIF and the like with their sublime long exotics.
It is interesting, i have heard some are saying nikon cheaped out on the motors in some lenses?
All I know is that my Sony zoom lenses have quad (yes 4) linear motors and are best in class for AF acquisition. I don’t know how much that affects AF in the real world, but blimey those lenses latch on instantly and track tenaciously. Sony folk and reviews all comment that the GM2 lenses latch on and track faster than earlier generations (on the same bodies). So in that regard yes lens motor tech is a major factor, not just body tech. AFAIK Nikon does not use linear motors, never mind 4 of them…..
The Canon r5 tracks like it is clairvoyant. With a 50 1.2 or 85 1.2 and someone moving fast towards I could get almost every shot in perfect focus. Pretty amazing. Wheras the z7 had trouble finding eyes let alone focusing in several situations.
@BurnImage has written: @primeshooter has written: @BurnImage has written: @primeshooter has written: @BurnImage has written: @primeshooter has written:They need to make a menu setting. Focus at widest aperture on / off. A firmware fix I would hope.
Yep, it’s really as simple as that. The question is do Nikon understand photographers and their needs enough to implement it?
Wonders never cease. They were deleting stars in astro images for years. It took Thom Hogan I believe visiting nikon and mentioning it to get it fixed. (Paraphrasing). Sony bodies still do it! So they can spare me with their marketing speak were they claim they listen to their customers. Yet to see the real evidence of this. Many of the big players are guilty of this to be fair.
Oh I don’t doubt that. But I don’t shoot Astro. Nor do I shoot BIF.
What I do shoot is people, film sets, events, studio, street and travel. Having switched from Nikon Z to Sony for these genres, Nikon isn’t at the party at this time. That’s both for bodies and lenses.
I also don’t think the Z8 will change this. Especially if kit size and weight to carry 8 hours a day is part of the decision for a jobbing photographer.
Look at the weight and bulk of the 24-70mm and 70-200mm Nikkor Z vs Sony GM2 versions. There’s a 500g saving straight off the bat for Sony for equivalent IQ and faster quad linear AF motors. No Z mount advantage there. NONE!
That said, Sony isn’t perfect, nor is Canon or Nikon. They all frustrate with their implementations at times. What is clear to me is that Nikon is pursuing niche BIF and the like with their sublime long exotics.
It is interesting, i have heard some are saying nikon cheaped out on the motors in some lenses?
All I know is that my Sony zoom lenses have quad (yes 4) linear motors and are best in class for AF acquisition. I don’t know how much that affects AF in the real world, but blimey those lenses latch on instantly and track tenaciously. Sony folk and reviews all comment that the GM2 lenses latch on and track faster than earlier generations (on the same bodies). So in that regard yes lens motor tech is a major factor, not just body tech. AFAIK Nikon does not use linear motors, never mind 4 of them…..
The Canon r5 tracks like it is clairvoyant. With a 50 1.2 or 85 1.2 and someone moving fast towards I could get almost every shot in perfect focus. Pretty amazing. Wheras the z7 had trouble finding eyes let alone focusing in several situations.
No doubt the R5 is a gem, I went A9II because I MUST have stacked sensors for my work. Now I’m adding a used A7Riv for £1850 to scratch my high resolution itch. Slower than R5 but still way ahead of Z7, with 61mp to boot.
Maybe we should change the title of this thread to Z AF vs Sony AF vs Canon AF.
That way people who are interested in comparisons can read this.
A separate thread on Z AF could focus on understanding Z AF and how to get better results out of it.
Maybe we should change the title of this thread to Z AF vs Sony AF vs Canon AF.
That way people who are interested in comparisons can read this.
A separate thread on Z AF could focus on understanding Z AF and how to get better results out of it.
I joined this thread to point out how Sony has a mode that solves a problem in the studio that Nikon shooters were asking about and having problems with.. It was a helpful and brand neutral discussion. But then there was (another) “Nikon can do no wrong” meltdown and here we are. I don’t know how that’s solved TBH.
@Dibyendu has written:Maybe we should change the title of this thread to Z AF vs Sony AF vs Canon AF.
That way people who are interested in comparisons can read this.
A separate thread on Z AF could focus on understanding Z AF and how to get better results out of it.
I joined this thread to point out how Sony has a mode that solves a problem in the studio that Nikon shooters were asking about and having problems with.. It was a helpful and brand neutral discussion. But then there was (another) “Nikon can do no wrong” meltdown and here we are. I don’t know how that’s solved TBH.
Please, quote where I said that. I'll wait.
In the mean time, I'll just quote you saying you don't understand why if the z7 is good, why people would buy a z9. Because you don't have the intellectual capacity to understand why that's a stupid question, and if you were at all a reasonable person, you'd be pretty embarrassed, but you're here to shill for sony and bash nikon, so I don't expect anything else. That goes for your buddy too.
Please go touch grass, and find another forum to shill on. Thanks.
@Ghostfox1 has written:This is one of the dumbest things I've seen all week
Do you re-read your own posts? Definitely some honorable mentions.
This is typical of what would take place on DPReview. The thread had sorted itself out and moving along well. I neither shoot studio or astro, so it was of no interest to me. Ghostfox1 jumps in with a comment "This is one of the dumbest things I've seen all week" to Burnimage knowing it's likely to elicit a response. On DPReview this would be a good way to get a thread the fanboys wanted shut down, shut down. On good old DPReview, Burnimage would at least get a warning for the reply, likely get cited for the "broken record" or "not nice" rule, thread would be either shut down or posts picked apart.
Good try Ghostfox, but not going to work here.
@XRay has written: @Ghostfox1 has written:This is one of the dumbest things I've seen all week
Do you re-read your own posts? Definitely some honorable mentions.
This is typical of what would take place on DPReview. The thread had sorted itself out and moving along well. I neither shoot studio or astro, so it was of no interest to me. Ghostfox1 jumps in with a comment "This is one of the dumbest things I've seen all week" to Burnimage knowing it's likely to elicit a response. On DPReview this would be a good way to get a thread the fanboys wanted shut down, shut down. On good old DPReview, Burnimage would at least get a warning for the reply, likely get cited for the "broken record" or "not nice" rule, thread would be either shut down or posts picked apart.
Good try Ghostfox, but not going to work here.
You're almost right, nikon bashing happens there all the time, and never gets any push back because doing so gets your posts removed by the mods for 'not being nice'. Then all the bashing continues.
And yes, I'm still correct about that being one of the dumbest things I've seen all week.
By all means, circlejerk away though. I'm checking out of the topic unless something actually intelligent is said.