Been a while since we were in Vienna. Nice city but we did not like very much that there are still so many smokers there (at least a few years ago). On every terrace there were still people blowing cigarette smoke in our direction. That was our main impression of the legendary "rudeness" of the viennese (and austrians more in general).
About your photo.
There is something to be said for both version.
The cropped version is of course graphically strong, with the off-centered layers of gold, creating a gateway in which you have perfectly framed the woman.
The man walking in the opposite direction creates extra tension and it helps that he is clad in black and white with a white stripe almost "camouflaging" him against the verticals of the elaborate door frame. Gives to me a kind of impression like he is stealthily swimming upstream to meet with the woman. The woman has the momentum (her pose with legs spread wider than the man, and the doorframe creates a sense of movement more from right to left than left to right, because the frame layers are spread wider there (at least visually from your vantage point: in reality that frame might be more symmetrical, but the position masks that, and that is good because like I already said : it creates a dynamic sense of movement and direction (for the woman).
So yes, the crop is nice and tight and retains the main attractions of the image.
But the wider version also has all of that (albeit less concentrated) and adds a layer: the third person, out of the golden frame but "caught" in the photo frame, makes this image feel almost like we are looking "behind the scenes" of a carefully staged theatre decor. And that has certainly merits too.
