We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable histograms.
We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable histograms.
@DavidMillier has written:I would suggest that the ubiquity of the exposure triangle motif suggests that it is something that resonates strongly with a lot of people and makes intuitive sense with them (even though it is incorrect). In that narrow sense, it is clearly a successful device in that it communicates where other devices don't. The fact that the concept doesn't apply to digital cameras is made all the more unfortunate by its success as a communication vehicle.
It's 'success as a communication vehicle' is in the communication of misconceptions and false ideas. The evidence is all around us. Photographers who don't know what 'exposure' means, people who set radically wrong exposure settings because they wrongly think that ISO causes noise and are trying forlornly to 'balance' a triangle. Yes, it's a success as a communication vehicle in the same way that COVID is successful as a virus. Its success is not to be celebrated.
@DavidMillier has written:However, I suspect that this mis-fortunate step has more to do with the complexity and confusion round how digital ISO works than the motif itself.
Digital photography is much simpler than film. Not many people felt the need to delve into the physics and chemistry of image formation on film, and there's no reason for them to delve into the equivalent with digital. The only reason that they do is that people have introduced inappropriate and mostly incorrect details of how they suppose digital cameras to work, trying to explain things that didn't need to be explained - unless people really were interested in the technology itself.
@DavidMillier has written:incorrectness is more a symptom of a wider malaise than the cause, IMO
I think that the triangle is a major contributor to the malaise. It's not the only cause, but it's certainly up there.
People have been trying to do magic with triangles since at least the time of Pythagoras.
Don Cox
Just asking because any beginner might now be very confused when they pick up a camera with the goal of actually creating a finished image. If they dial up ISO and leave other settings the same, will the finished image have more or less visible noise?
Right OOC, the JPEGs at the higher ISO settings will have more visible noise, because they are brighter and that makes the noise easier to see. Normalize the brightness, and photon noise becomes equally visible, and read noise might be a little bit less visible in the higher ISOs (depending on the camera and specific ISO settings).
@DMCO has written:Just asking because any beginner might now be very confused when they pick up a camera with the goal of actually creating a finished image. If they dial up ISO and leave other settings the same, will the finished image have more or less visible noise?
Right OOC, the JPEGs at the higher ISO settings will have more visible noise, because they are brighter and that makes the noise easier to see. Normalize the brightness, and photon noise becomes equally visible, and read noise might be a little bit less visible in the higher ISOs (depending on the camera and specific ISO settings).
I would say that the change in brightness is more relevant than the increase in visible noise.
For raw shooters, leaving out considerations about the raw developer and finder brightness, the ISO control represents tradeoff between read noise and clipping susceptibility, and can be set anywhere that the photographer thinks will provide acceptable read noise and clipping.
What gets me is that the camera has all the information necessary make a better estimate than all but the most expert. The clipping point is known, as is the read noise profile. If the image sensor is being used for metering, it knows the highlight exposures. Even when it's OOC JPEGs the camera has all the exposure information and can use tha same algorithms to place18% appropriately. Really there's no need for the photographer to be guessing exposure at all.
@SrMi has written: @DannoB has written:I have strayed off topic from my op by explaining how higher iso causes less noise and not more noise. Higher ISO increases noise visibility - noisiness.
If anyone would like to discuss in more detail perhaps start a new thread on the relationship between iso and noise.
AFAIK, a higher ISO does not increase noise visibility. It may even decrease it as long as it does not modify exposure.
If you read back through my posts you will see I was talking about when the exposure* is lowered.
This is the big problem with these discussions. One person uses "ISO" to refer to the setting on the camera with that number, and another uses it as "ISO exposure index" shortened to "ISO", which is just a way of enumerating the exposure of a middle-grey object. No matter how many times this distinction is made, most people rush right back to using "ISO" without context or qualification. It needs to be qualified in every context; not once in a poster's life history.
If two different words were used for these two different things, we'd have a lot less to talk about, wouldn't we?
@DavidMillier has written:Just joined this thread after 90 odd posts. I can't say the discussion has left me any more "illuminated".
Back in the ye olde days of digital, we were told that the ISO dial increases the amplification of the sensor making it more light sensitive. I think that I have gathered now that that is not quite true. I presume as it's there, it does something, else it's a waste of a control point and kind of undermines the Fuji dials approach.
If someone wouldn't mind summarising, when shooting raw, what does the iso dial actually do?
same as it did 20 years ago, it hasnt changed . it just amplifies the pixel signal before the adc.
It may or it may not, depending on the camera and ISO setting.
There is no requirement, whatsoever, that ISO 102K has more analog gain than ISO 50. None.
However, it is advantageous to use more analog gain (at the earliest stage possible in the signal chain), because there will be less read noise. You do not have to minimize read noise to legitimize a high ISO setting.
@JimKasson has written: @ErikWithaK has written:I think I would just say ISO (above base ISO) is used to compensate (in a number of possible ways) for any shortfall in resulting image brightness due to insufficient exposure brought about by a lack of scene luminance and/or the settings represented by the other two sides of the triangle.
For raw shooters, leaving out considerations about the raw developer and finder brightness, the ISO control represents tradeoff between read noise and clipping susceptibility, and can be set anywhere that the photographer thinks will provide acceptable read noise and clipping.
...and given that the read noise is going down, down, down due to sensors being improved in that regard, the ISO settings above base (2 base settings can be said to be present in dual gain sensors) play a progressively smaller role in helping to suppress the effect of read noise.
D'accord
@JimKasson has written:For raw shooters, leaving out considerations about the raw developer and finder brightness, the ISO control represents tradeoff between read noise and clipping susceptibility, and can be set anywhere that the photographer thinks will provide acceptable read noise and clipping.
Sure, but I think the question was how to explain ISO in terms of the “Exposure Triangle”. How do you explain all this other stuff to someone whose main frame of reference is a faulty triangle?
As I think I said earlier, you have a different conversion with a beginner who is shootings SOOC JPEGs than you have with one who is making raw captures. For raw captures, ISO just isn't that important, unless you get clipping.
We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable histograms.
We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable raw histograms.
@SrMi has written:We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable histograms.
We need mirrorless cameras where ISO does not affect the EVF brightness (or focus) while still showing usable raw histograms.
Yes. If the camera computes the histogram before the EVF stream, it could also be a raw histogram.
Duplicate?
There is no requirement, whatsoever, that ISO 102K has more analog gain than ISO 50. None.
thats not base iso but extended. so its digital gain not analog.
@JohnSheehyRev has written:There is no requirement, whatsoever, that ISO 102K has more analog gain than ISO 50. None.
thats not base iso but extended. so its digital gain not analog.
Likely both.
@JimKasson has written: @ErikWithaK has written:I think I would just say ISO (above base ISO) is used to compensate (in a number of possible ways) for any shortfall in resulting image brightness due to insufficient exposure brought about by a lack of scene luminance and/or the settings represented by the other two sides of the triangle.
For raw shooters, leaving out considerations about the raw developer and finder brightness, the ISO control represents tradeoff between read noise and clipping susceptibility, and can be set anywhere that the photographer thinks will provide acceptable read noise and clipping.
Sure, but I think the question was how to explain ISO in terms of the “Exposure Triangle”. How do you explain all this other stuff to someone whose main frame of reference is a faulty triangle?
Lets all agree to change the name to "exposure circle" 😁
That article almost makes sense to me. I didn't understand this bit:
For example, a camera that can focus down to -6 EV conditions with an f/1.2 lens sounds very impressive – and it is – but a camera that can focus in -5 EV conditions with an f/2 lens actually is a bit better in low light (something that is obvious once you equalize the f-stops and shift the EV accordingly).
@DonaldB has written:That article almost makes sense to me. I didn't understand this bit:
Quoted message:For example, a camera that can focus down to -6 EV conditions with an f/1.2 lens sounds very impressive – and it is – but a camera that can focus in -5 EV conditions with an f/2 lens actually is a bit better in low light (something that is obvious once you equalize the f-stops and shift the EV accordingly).
I think it's just that the same camera could achieve -5EV+f/2 and -6EV+f/1.4, since each change represents a halving+doubling, so a camera which requires f/1.2 at -6EV is a bit worse in the comparison.
Sherm